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	<title>Comments on: A 1-2-3 method to get stuff done</title>
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	<link>http://fishercreativegroup.com/wordpress/2010/06/a-1-2-3-method-to-get-stuff-done/</link>
	<description>Ramblings, rants, raves, &#38; more from Jeffrey P. Fisher</description>
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		<title>By: Kaylee</title>
		<link>http://fishercreativegroup.com/wordpress/2010/06/a-1-2-3-method-to-get-stuff-done/comment-page-1/#comment-337</link>
		<dc:creator>Kaylee</dc:creator>
		<pubDate>Mon, 23 May 2011 10:29:13 +0000</pubDate>
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		<description>Thanks for sharing. What a pleasure to read!</description>
		<content:encoded><![CDATA[<p>Thanks for sharing. What a pleasure to read!</p>
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		<title>By: Steve Rault</title>
		<link>http://fishercreativegroup.com/wordpress/2010/06/a-1-2-3-method-to-get-stuff-done/comment-page-1/#comment-178</link>
		<dc:creator>Steve Rault</dc:creator>
		<pubDate>Wed, 30 Jun 2010 06:02:21 +0000</pubDate>
		<guid isPermaLink="false">http://fishercreativegroup.com/wordpress/?p=541#comment-178</guid>
		<description>I know it&#039;s a bit uncool to respond to your own post but I like this discussion. I just finished an opener/closer for a lifestyle TV show. The brief was, &quot;I like the ones with guitar in them&quot;... I&#039;ve learned to ask more questions to aviod multiple attempts at deciphering a brief. I got a basic idea of what this guy wanted by asking lots of questions then got straight to work. I essentially had 48 hours to produce a finished product. Try getting as much info from the client as possible. I have found that often the people who make decisions about music are not always able to communicate what they really want and sometimes they don&#039;t know what they really want. I&#039;ll always ask them to give me examples of a song or piece of music to help get closer to their vision. I find that if I have clear direction and purpose, I can produce more efficiently.</description>
		<content:encoded><![CDATA[<p>I know it&#8217;s a bit uncool to respond to your own post but I like this discussion. I just finished an opener/closer for a lifestyle TV show. The brief was, &#8220;I like the ones with guitar in them&#8221;&#8230; I&#8217;ve learned to ask more questions to aviod multiple attempts at deciphering a brief. I got a basic idea of what this guy wanted by asking lots of questions then got straight to work. I essentially had 48 hours to produce a finished product. Try getting as much info from the client as possible. I have found that often the people who make decisions about music are not always able to communicate what they really want and sometimes they don&#8217;t know what they really want. I&#8217;ll always ask them to give me examples of a song or piece of music to help get closer to their vision. I find that if I have clear direction and purpose, I can produce more efficiently.</p>
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		<title>By: Steve Rault</title>
		<link>http://fishercreativegroup.com/wordpress/2010/06/a-1-2-3-method-to-get-stuff-done/comment-page-1/#comment-176</link>
		<dc:creator>Steve Rault</dc:creator>
		<pubDate>Wed, 23 Jun 2010 06:35:12 +0000</pubDate>
		<guid isPermaLink="false">http://fishercreativegroup.com/wordpress/?p=541#comment-176</guid>
		<description>Yes true - all projects are ridiculous, impossible timelines. The challenge has always been to produce the best quality work within time provided. So, deadlines are a fact of life in this biz. Sometimes a short deadline can really sharpen your focus, allowing you to produce stuff you may not have if you had the luxury of time. I think short timelines are just one of the parameters that composers need to factor into their working style and develop a set of skills and compositional techniques to deal with these challenges.
Steve Rault
Melbourne AUSTRALIA</description>
		<content:encoded><![CDATA[<p>Yes true &#8211; all projects are ridiculous, impossible timelines. The challenge has always been to produce the best quality work within time provided. So, deadlines are a fact of life in this biz. Sometimes a short deadline can really sharpen your focus, allowing you to produce stuff you may not have if you had the luxury of time. I think short timelines are just one of the parameters that composers need to factor into their working style and develop a set of skills and compositional techniques to deal with these challenges.<br />
Steve Rault<br />
Melbourne AUSTRALIA</p>
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